The Gushen Grove Sonnets
Volume 2
By Michael P. Garofalo
4 Total Sonnets and Brief Poems
Including: Quintain Sonnets: 5252, 554, 555, 553, 5333
Preface
Michael Peter Garofalo, in 2021, defined
Four Quintain Sonnet Forms that he used
in his writing: 5252, 554, 555, and 553.
This was an original and unique contribution
to the arts of Quintain Poetry. He invented
these four forms and then wrote over 68
quintain sonnets, many show below.
Volumes 2, 5, 6, and 7 of Bundled Up
have the most quintain sonnets.
My 2026-2027 goal is to publish
200 Quintain Sonnets here at
The Gushen Grove Sonnets:
Volumes 1 and Volume 2
Where is the Gushen Grove?
In a verdant farmland valley
amid field crops and orchards
was a grove of trees. Under
those trees was a fine home
where Karen and Michael lived.
Gushen = Valley Spirit, Spirit of the Valley,
The Mother of Life, The Giver of Life,
The Verdant Valley as the Source of Life,
The Sacred River of the Valley, Life Souce,
Like: Salinas, North Sacramento, Willamette Valleys.
"The Valley Spirit never dies
It is named the Mysterious Female.
And the doorway of the Mysterious Female
Is the base from which Heaven and Earth sprang.
It is there within us all the while.
Draw upon it as you will, it never runs dry."
- Translated by Arthur Waley, Daodejing, Chapter 6
Gushen Research by Mike Garofalo
Thanks
As always, many thanks to Blanche Karen Eubanks Garofalo,
my wife of 59 years, for all her support, encouragement,
love, work, and great progress and interesting
experiences together.
The Gushen Grove Sonnets, Volume 2
By Mike Garofalo
100.
Crashes on a Pot
The inky clouds rushed by...
Carried by summertime southwestern winds.
Storm clouds whooshed to Mount Adams.
Our fir branches began to dance
Up and Down Back and Forth
Lanky Douglas firs
swaying in the Cascadian Winds---
August melodies
Hot August sunshine
scent of fir pitch in the air---
Big firs offer shade
A bare branch breaks off
knocks around as it falls down---
Crashes on a pot
BU3072, 5333 Style
101.
Close to the Garden Soil
Weeds in the garden---
persistent green intruders,
teaching patience too.
Kneeling in May mud
each weed pulled up and let go---
mind clears with each pull.
A rubber bin holds
what I pulled from the border---
fresh fades to to dry brown.
The wisteria climbs the trellis wall,
the little leaves catch shadows as they crawl;
a tangled maze where chickadees hide,
and silent spiders weave side to side.
Where single thin vines creep up to the sky.
BU4046, 3335 Style
102.
Listening to Change
I listened to another say
what I resisted to hear
what was alien to me
what outlined my ire
what I wanted to fight
But then I settled down
loosened my blockhead mind
Thought things over patiently,
listened more carefully,
saw matters from other sides,
respected the integrity
and sincerity of other kinds
Of thinking outside my closed boxes
of my habits of opinions needing overhaul.
103.
Dying is a Hard Journey
Dying is such a depressing waste
a wasting away of dignity
facing the firing squad of some disease
your own body murders you with ease
twenty names for your miseries.
Can't hide in the woods or city,
Dying spares no home, nor has any pity.
Dying can be over instantly
in an hour, month, season, or years.
Dying can be around the corner
or in a house in south Spokane.
Dying ends with an open mouth sigh.
Dying and Death, the Faces of Janus.
Dying is Death's Emissary, both liars.
Dying and I shared a final toast;
Before She finally released my ghost.
BU4030
104.
Details on Details, Zoom In
The endless treasures of the everyday,
the uncommonness of common things;
Ordinary mind does point the way
to unspoken wonders of myriad beings.
Whether a leaf, the moon, a plastic spoon,
or a shoe, an eye, an infant's cry;
the endless parade, zoom out, in zoom,
Details on details, thick, piled high.
Cellular seedpods pulsing pure time,
Flowering brains clone families of minds
that revel in thinking to the Infinite edge,
agog over life, and love of knowledge.
Whether, a quasar, a hand, a DNA strand,
Fantastic journeys in the Minds of Millions.
This work is licensed under a:
Creative Commons Attribution-Non-Commercial-No-Derivates
4.0
International License.
The Gushen Grove Sonnets: Volume 1, Poems 1-100
The Gushen Grove Sonnets: Volume 2, Poems 100-200
104.
105.
106.
107.
108.
109.
110.
The Gushen Grove Sonnets: Volume 1, Poems 1-100
The Gushen Grove Sonnets: Volume 2, Poems 100-200
120.
130.
140.
150.
160.
The Gushen Grove Sonnets: Volume 1, Poems 1-100
The Gushen Grove Sonnets: Volume 2, Poems 100-200
170.
180.
190.
200.
The Gushen Grove Sonnets: Volume 1, Poems 1-100
The Gushen Grove Sonnets: Volume 2, Poems 100-200

Sonnets
Quintain Sequences of Sonnet Length
i.e., The Four Quintain Sonnet Structural Forms
Studies by Mike Garofalo
5252 quintain + couplet + quintain + couplet
14 lines, stanzas with rhyme schemes or free verse
Examples: # 600, 904, 968, 1217, 2154, 2229, 2384, 2518, 2528, 2521, 2523
#2526, 2528, 2532, 2534
Mike Garofalo (5252):
Awakening: Wednesday, 2/5/2025, 3:33 am #2528
Chanting Canyon Streams #1217
Dreams of Gertrude Jekyll's Munstead Wood Garden #2518
Duplicate Webpages Not Loading #2521
Empty Beer Cans on the Golf Course #2532
Fourteen Acts I Do Every Day at 8o Years of Age #2523
Golfo de las Américas #2526
Listening to Change #2154
On the Road to Eureka #904
playing gods #600
Poetry: New Under the New
Prior Questions for the Tarot #968
The Pokeweed Sutra #2521
Riddles Unraveled #2384
The Ringing Gong #2530
Speaking of Cars Speaking
Spirit Quest in the Sierras # 2579
Steigerwald Wildlife Refuge #2534
Voyager Tarot Candlight Reading #50
Gushen Grove Sonnets by Michael P. Garofalo
555 quintain + quintain + quintain
15 lines, stanzas with rhyme schemes or free verse
Mike Garofalo Quintain Sonnet Examples 555
Examples: # 92, 932, 933, 939, 1513, 1931, 2006, 2049, 2077, 2099,
# 2131, 2175, 2243, 2254, 2576, 2853, 2925
John Ashbury, A Picture of J. A. in a Prospect of Flowers
Robert Bly:
The Poem
The Chinese Peaks
The Rainy September
Hilda Doolittle (H.D.):
Time has an end you say
William Everson, Jacob and the Angel
Mike Garofalo (555):
Alternatives of Two #2049
Best Way Forward # 2214
The Bloodless Sea #92
The Bottom Line #2175
Criteria for Action #2735
The Day My Religion Started to Die #2340
Double Visions #933
The Event: Number 16; She Was Fire #2788
A False Call to Men # 2506
Feathers in the Weeds #2243
Flotsams of Unknowns #2303
The Hanford Radioactive Blues # 2254
Here & Now @ #2374
Packed Into Anxiety #1968
Playing with the Table Box #2035
The Pleasures of Masochistic Conundrums #932
Quintains At a Minimum #2576
Running Out of Time #1513
Sand in my Face #2926
So What If? #1964
Time Teases # 2969
A Titled Quintain is a Sextet #2077
Bundled Up: Quintain Sonnets: Volume 5
We Spoke Softly # 2589
The West Edge Tour # 2925
Will Cherished Ideals Survive #2229
Philip Larkin:
Compline
Hard Lines
The Returning I
Song With a Spoken Refrain
Success Story
Young Woman's Blues
D. H. Lawrence:
Come Spring, Come Sorrow #2853
Turned Down # 2973
Audre Lorde, Love Poem
Marianne Moore, Feed Me, Also, River God
Howard Nemerov:
Date with the Rabbi
First Snow
To the Mannequins
The Vacuum
The Wheel King #2541
Octavio Paz:
Walking Through the Light #2099
Arthur Rimbaud, The Poor Man Dreams #2209
Christina Rosetti, By the Sea
William Stafford:
Entering History
Fixers
For a Lost Child
Freedom
The Gift
Haycutters
Ice Fishing
Jeremiah at Miminagish
A Life, a Ritual
A Memorial to My Mother
Midwest
My Mother Was a Soldier
No Praise, No Blame
Over the North Jetty
Right to Die
Security
Stereopticon
Vocation
The Wanderer Awaiting Preferment
Watching the Jet Planes Dive
Whispered in Winter
Witness
Diane Wakoski, Belly Dancer
W. B. Yeats:
The Mother of God
Remorse for Intemperate Speech #2710
The Road at My Door
The Rose of the World
The Stare's Nest in My Window
Bundled Up: 1,800+ Quintains, by Michael P. Garofalo
553 quintain + quintain + triplet
13 lines, stanzas with rhyme schemes or free verse
Examples: # 2175, 2241, 2596, 2766, 2770
William Ellery Channing, This is to Be My Symphony #3572
Marge Piercy, Postcard from the Garden
Kay Ryan, The Theft
Mike Garofalo:
The Bottom Line # 2175
Seeing What We Want to See # 2766
Unhitched from the Eternal Now # 2770
Anne Waldman, The Asian Notebook
William Stafford: Across Kansas #2596
Quintain Sonnets by Mike Garofalo
Sonnet Form Studies by Mike Garofalo
554 quintain + quintain + quartet
14 lines, stanzas with rhyme schemes or free verse
Mike Garofalo Quintain Sonnet 554 Examples:
# 2654, 2663, 2763, 2764, 2765, 2767, 2768, 2769, 2771
Winston Abbott, Blessed Be the Night
Julian Bell:
An Epistle on the Subject Of # 2983
Mike Garofalo:
Dream Time of a Body-Mind # 2768
Five Elements Embracing # 2763
Flowers in the Skagit Valley # 2767
Here and Gone # 2663
Ice Crystal Streaked # 2771
Mountains Melted # 2764
On this Day # 2935
Pointing in What Direction? # 2769
Radiate the Inner Smile #2654
Waiting: Then Suddenly # 2765
Stéphane Mallarmé, Fan #3537
Soil, sea, sun, rain, sky ...
Five Elements embracing,
Intertwined in mind.
Unfathomable Matrix;
Scaffolds on scaffolds
Grounded in Otherness.
Below sky, gardener, bees, soil,
seeds, leaves, stems, roots, water...
Below wet cells embraced,
Below atoms dancing on Energy...
Deeper and deeper below
Into What?
A Plenitude, a sacredness.
Emptiness in full bloom.
- Mike Garofalo, #2763
5333 quintain + haiku + haiku + haiku [14 Lines]
14 Lines, stanzas with rhyme schemes or free verse.
Each haiku must conform to the 575 English syllable
counts for each of the three lines. You can also have
alternative layouts such as 3335, 5333, 3533, 3353.
Mike Garofalo Quintain Sonnet 5333 Examples:
#3072,
Crashes on a Pot
The inky clouds rushed by...
Carried by summertime southwestern winds.
Storm clouds whooshed to Mount Adams.
Our fir branches began to dance
Up and Down Back and Forth
Lanky Douglas firs
swaying in the Cascadian Winds---
August melodies
Hot August sunshine
scent of fir pitch in the air---
Big firs offer shade
A bare branch breaks off
knocks around as it falls down---
Crashes on a pot
BU3072
Examples of longer poems using
5 line stanzas extensively or
exclusively:
John Ashbery, Voyage in the Blue
W. H. Auden:
The Decoys
Elegy
Marginalia
Oxford
Prologue at Sixty
The Watchers
Ted Berrigan, Words for Love
Christina Bok, Kalokagathia
Elizabeth Bishop:
Cirque d'Hiver
In a Room
North Haven
Sleeping on the Cieling
The Unbeliver
Billy Collins:
Animal Behavior
Sandhill Cranes of Nebraska
(detail)
Randy Crawford:
I Don't Wanna Be Normal #2310
Robert Creely, Self-Portrait
James Dickey: The Heaven of Animals
Emily Dickinson:
571, 1217, 1221, 1223, 1228
Robert Frost:
Bond and Free
In a Vale
Mike Garofalo:
At the Mysterious Pass # 2685
Devil's Lake in Lincoln City #2927b
Drifting to My Mind's Edge #2633
Arbitrary Associations Impending #2536
Bumps in the Logic Road #2760
Crash, Smashed! #2650
Dosewallips on the Fjord #566
The Olympic Curve on Highway 101
One Picture of Me #2620
Pulling Up Onions in April # 2683
Raven Broke Open the Magical Clam
These Dear Friends of the Buddha Mind # 2675
Thou Are Not That # 2679
Time of the Inner Mind #9
Time Travelled to the Outskirts of Words #2783
Vampires in the Hoh Forest #2525
The West Edge Tour # 2925
Winter Rain Returns #1614
Wittgenstein's Remarks #2876
Louise Glück, Threshing
Paul Goodman:
The Weepers Towers in Amsterdam
Noah Eli Gordon, The Book of Forgetting
Robert Hayden:
Mystery Boy looks for kin in Nashville
Richard Hugo:
A Chapel Further West than Most
Changes in Policy at Taholah
Josephine Jacobsen:
How We Learn
Language as an Escape from the Discrete
Monosyllables
Gallway Kinnell:
Alewives Pool
To Christ Our Lord
Robert Lowell, Fall 1961
Thomas McGrath, A Letter for Marian
John Milton, Song on a May Morning
Marianne Moore:
A Carriage from Sweeden
The Plumet Basilisk
In the Days of Prismatic Color
Howard Nemerov:
Elegy of Last Resort #2544
The Scales of the Eyes
Frank O'Hara:
Edwin's Hand
Funnies
Hatred
Hunting Horns
My Heat
One Seeing Larry Rivers
On Rachmaninoff's Birthday
Poem
V. R. Lang
Charles Olson:
Gulf of Maine
Some Good News
Octavio Paz:
Ladera Este, East Slope
A Day in Udaipur
Arthur Rimbaud:
The Savior Bumped Upon His Heavy Butt
Squatting
Theodore Roethke:
Loves Progress
All the Earth, All the Air
It was the beginning winter
Highway: Michigan
The Tranced
The Dying Man
Winfield Townkey Scott:
Five for the Grace of Man
Kim Stafford:
Tove Jansson's Island
Wiliam Stafford:
A Bridge Begins in the Trees
An Introduction to Some Poems
At Our House
At the Un-National Monument
A Family Turn
Father's Voice
Fifteen
For a Lost Child
Freedom
From the Move to California
How These Words Happened
Ice Fishing
Lake Chelan
Midwest
A Memoria: Son Bret
Mother's Day
My Life
Our Kind
Run Before Dawn
Serving with Gideon
A Star in the Hills
Sky
Story Time
Things That Happen
Together Again
Ultimate Problems
Vocation
Your Life
A Walk in the Country
Watching the Jet Planes Dive
The Way I Write
Witness
Trumbull Stickney, At Sainte-Marguerite
Derek Walcott, Forest of Europe
Theodore Weiss, A Dab of Color
Mark Van Doren, Family Pride
Paul Verlaine:
Bournemouth
Nightmare
Sequidilla
Snow in the Midst
A Widower Speaks
I have also searched in many book editions that I own
or from the Clark County Library,
and I have found
No Quintains or a few rare Quintains
in the collected poetic works of:
John Ashbury, W. H. Auden, Ted Berrigan, Wendell Berry, Frank Bidart,
Elizabeth Bishop,
e. e. cummings,
Robert Creely, Billy Collins, Gregory Corso,
Emily Dickinson, William Everson, Robert Frost, Allen Ginsberg,
Richard Hugo, Michael McClure,
W.S. Merwin, Adrienne Rich,
Arthur Rimbaud, Gertrude Stein, Derek Walcott,
William Butler Yeats,
Walt Whitman, etc.
Most of the writers listed above were writing in the 20th
Century. Most wrote free verse. Most wrote long poems,
and a few in a short verse style like Emily Dickinson. Many
wrote prose poems. Most favored using quatrains,
couplets, sextexts, octets, one-liners, and mixed length free
verse style poems.
The Quintain is favored by mnay writers of Epigrams and
Moralisms. Many 20th century poets dislike being
too preachy, although social-political-cultural wars
have taken caualities in the poet ranks. Yet, still,
every good writer is hoping to write the perfect
Epigram that will become popular.
And, of course, for a smile... Limericks.
William Stafford uses the quintain form quite
frequently. Louise Gluck frequently uses one
quintain in longer poems. D. H. Lawrence offers
one quintain stanza in many of his poerms.


Michael Peter Garofalo (1946-) grew up in East Los Angeles, raised well by June and Big Mike,was educated in Catholic Schools, lived with two other brothers, graduated (B.A., M.S.) from local universities, married Blanche Karen Eubanks, served in the US Air Force, worked in and managed many City and Los Angeles County Public Libraries, raised two children, socialized, traveled, and learned. Retired as the Regional Administrator, East Region, Los Angeles County Public Library in 1998. We moved to a rural 5 acre property in Red Bluff, in the North Sacramento Valley, CA. Webmaster since 1999. Worked part-time for the Corning Union Elementary School District (Technology and Media Services Manager and District Librarian); and as a yoga, Taijiquan, and fitness club instructor until 2016. Traveled extensively in Northern California, Oregon, and Washington. We both retired, and we moved to Vancouver, WA, in 2017. Currently in 2025: reading, writing, gardening, harmonica playing, home chores, yurt camping, exercise, traveling in the Northwest, web publishing, family events, poetry research, photography, Northwest research, Nature mysticism, Buddhist and Taoist literature, walking, sports events, etc.
25 Steps and Beyond; Collected Works
Sonnets: Research, Bibliography, Notes
Texts Press Publications
Free Online Poetry and Studies
Vancouver, Washington
Texts Press Email
I really appreciate positive feedback,
reviews, kudos, and encouragement
about the value
of
my free webpages.
Send your comments to:
Text Press Email
Poetry, Quintains, TextArt, Research, Compilation,
Photos, Series, Webpage Creation, Indexing:
By
Michael Peter Garofalo
© Green Way Research, Valley Spirit Center,
Gushen Grove Notebooks,
Vancouver, Washington
© 2021-2026 CCA 4.0
This work is licensed under a:
Creative Commons Attribution-Non-Commercial-No-Derivates
4.0
International License.
This document was last edited, revised,
reformatted, added to, relinked,
changed, improved, or modified
by Michael Peter Garofalo
on July 18, 2026.